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GFX100 II Body

UPC 0-74101-20912-9
SKU 600023590
New102 MP CMOS II HS Imaging Sensor and X-Processor 5
8fps continuous mechanical shutter, innovative AI Autofocus algorithm, up to 8 Stops of In-Body Image Stabilization (IBIS)
Internally Record 4K/ 60p at full sensor width in 4:2:2, 10-Bit Apple ProRes and jam sync timecode with ATOMOS AirGluTM BT
World First: Natively enabled for Camera-to-Cloud integration with no accessory requirements.
Multiple Cinema Formats: FUJINON PREMISTA, 35mm, and 35mm Anamorphic.

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  • GFX100 II’s new 102MP sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms, now incorporating internal subject detection propelled by artificial intelligence, allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8fps using the camera’s high-speed mechanical shutter, or to record 4K/60p video at the full width of GFX100 II’s massive 55mm1 imaging sensor. An updated 9.44M dot EVF with 120fps live view and 5.3fps of blackout-free (8.7fps of blackout-free in 35mm format mode), continuous shutter use, also helps photographers stay close to the action, frame by frame, while internal in-body image stabilization (IBIS) provides up to 8-stops of stability to help transform the way any professional will make their next great image and share their next great story. 1 GFX100 II uses an image sensor measuring 55mm diagonally (43.8mm x 32.9mm), which provides an area approximately 1.7 times that of a 35mm full-frame sensor.
  • GFX100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX100 II’s 55mm large format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
  • Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II’s massive 55mm1 sensor, at 4K/60p, for a seamless transition from creative vision to post-production. Accelerate a project’s delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing.
  • Embrace cloud-first workflows and open lines of collaboration with GFX100 II’s World First, accessory-free integration for Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the camera’s built-in Wi-Fi or Ethernet LAN connection to connect to and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration.
  • With updated video functions that lead to simple post-production workflows, GFX100 II allows creators to go from an idea to the perfect story faster than ever. Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording truly make GFX100 II an impressive, complete filmmaking tool, while a native integration with Atomos AirGluTM BT2, brings timecode synchronization3 to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)4 brings the GFX System offerings into the world of motion production in ways never before available. And thanks to Fujifilm's one-of-a-kind color science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within GFX100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral color reproduction with high-contrast tonal gradations. Inspired by decades of analog film development, image-makers can choose REALA ACE mode, or otherwise a film simulation mode that best fits the mood and that aligns with their creative inspiration. 2 Atomos AirGlu™ BT uses Bluetooth technology to wirelessly synchronize timecode with the GFX100 II when in close proximity. 3 Timecode synchronization provided through AirGluTM BT can be affected by a frame delay of at least 1 frame when syncing with multiple devices. 4 ACES is a free, open, device-independent color management and image interchange system that can be applied to a wide variety of motion production workflows.
Camera Width (mm) 152.4
Camera Height (mm) 117.4
Camera Depth (mm) 98.6
Camera Minimum Depth (mm) 46.5
Camera Width (in) 6
Camera Height (in) 4.62
Camera Depth (in) 3.88
Camera Minimum Depth (in) 1.83
Camera Body Weight Approx. 1,030g / 36.3oz. (including EVF battery and memory card) Approx. 949g / 33.4oz. (including EVF, excluding battery and memory card)
FPS Eligible Yes
Family Type Hardware
Warranty Duration 365
Number of Effective Pixels 102 million pixels
Image Sensor 43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter
Sensor Cleaning System Ultra Sonic Vibration
Storage Media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90* / CFexpress Type B Card (-2TB) / SSD (-2TB) *Please see the Fujifilm website ( to check memory card compatibility.
Still Image File Format - DCF Compliant with Design rule for Camera File system (DCF2.0)
Still Image File Format - JPEG Exif Ver.2.32/*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Still Image File Format - TIFF 8bit/ 16bit RGB (In-camera RAW Conversion Only)
Number of Recorded Pixels - [L] [4:3] 11648x8736 [3:2] 11648x7768 [16:9] 11648x6552 [1:1] 8736x8736 [65:24] 11648x4304 [5:4] 10928x8736 [7:6] 10192x8736
Number of Recorded Pixels - [M] [4:3] 8256x6192 [3:2] 8256x5504 [16:9] 8256x4640 [1:1] 6192x6192 [65:24] 8256x3048 [5:4] 7744x6192 [7:6] 7232x6192
Number of Recorded Pixels - [S] [4:3] 4000x3000 [3:2] 4000x2664 [16:9] 4000x2248 [1:1] 2992x2992 [65:24] 4000x1480 [5:4] 3744x3000 [7:6] 3504x3000
Lens Mount FUJIFILM G Mount
Sensitivity Standard Output STILL: AUTO1/ AUTO2/ AUTO3 / ISO80~12800 (1/ 3 step) MOVIE: AUTO/ ISO100~12800 (1/ 3 step)
Sensitivity Extended Output STILL: ISO40/ 25600/ 51200/ 102400 MOVIE: ISO25600
Exposure Control TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
Exposure Mode P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure Compensation STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)
Image Stabilizer Mechanism Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect Up to 8 stops (based on CIPA standard). Pitch/yaw shake only. *With GF63mmF2.8 R WR lens mounted
Image Stabilizer Digital Image Stabilization Yes (movie mode only)
Image Stabilizer IS MODE BOOST Yes (movie mode only)
Shutter Type Focal Plane Shutter
Synchronized Shutter Speed for Flash 1/125sec. or slower
Continuous Shooting CH Approx. 8.7fps(35mm Format Mode ON) (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG: 156 Frames, Lossless compressed RAW + JPEG: 148 Frames, Uncompressed RAW + JPEG: 71 Frames) CH Approx. 5.8fps(35mm Format Mode ON) (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG: 1000+ Frames, Lossless compressed RAW + JPEG: 1000+ Frames, Uncompressed RAW + JPEG: 1000+ Frames) CH Approx. 5.3fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 390 Frames, Compressed RAW + JPEG: 119 Frames, Lossless compressed RAW + JPEG: 119 Frames, Uncompressed RAW + JPEG: 98 Frames) CH Approx. 8.0fps (JPEG: 1000+ Frames, Compressed RAW: 325 Frames, Lossless compressed RAW: 302 Frames, Uncompressed RAW: 76 Frames, Compressed RAW + JPEG: 75 Frames, Lossless compressed RAW + JPEG: 75 Frames, Uncompressed RAW + JPEG: 55 Frames) CH Approx. 5.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 497 Frames, Compressed RAW + JPEG: 153 Frames, Lossless compressed RAW + JPEG: 152 Frames, Uncompressed RAW + JPEG: 116 Frames) CL Approx. 2.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG:1000+ Frames, Lossless compressed RAW + JPEG: 1000+Frames, Uncompressed RAW + JPEG:1000+ Frames) Electronic Front Curtain Shutter support CL only. No. of recordable frames are calculated based on CFexpress Type B card in a cold start Recordable frames depends on recording media Speed of continuous shooting depends on shooting environment and shooting frames
AE Bracketing AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: 1/3EV up to ±3EV steps),Film Simulation Bracketing (Any 3 types of film simulation selectable),Dynamic Range Bracketing (100%, 200%, 400%),ISO Sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) ,White Balance Bracketing (±1, ±2, ±3),Focus Bracketing (AUTO, MANUAL),Multiple Exposure Yes (Max. 9 frames), Additive, Average, Bright, Dark,Pixel Shift Multi Shot HIGH RESOLUTION + ACCURATE COLOR YES,ACCURATE COLOR YES
Focus Mode Single AF/ Continuous AF/ MF
Focus Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-light Performance Contrast: -2.5EV with GF80mmF1.7 attached Phase Detection: -5.5EV with GF80mmF1.7
AF Frame Selection Single point AF: 13×9/ 25×17 (Changeable size of AF frame) Zone AF: 3×3/ 5×5/ 7×7 Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide/ AF-C: Tracking) All Face/eye detection Yes Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)
White Balance Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent light -1, Fluorescent light -2, Fluorescent light -3, Incandescent light, Underwater
Self-timer Still 10sec. / 2sec. Movie 10sec. / 5sec. / 3sec.
Interval Timer Shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Flash Sync Mode Shoe Mount Flash:1st Curtain/ 2nd Curtain/ AUTO FP (HSS) Synchronized terminal:1st Curtain/ 2nd Curtain
Flash Mode Shoe mount flash:TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF Synchronized terminal: Manual
Hot Shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF 0.64 inch OLED Color Viewfinder Approx. 9.44 million dots /Coverage of Viewing Area vs. Capturing Area: Approx. 100%/Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece)/Diopter Adjustment: -5~+2m-1/Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1/Diagonal Angle of View: Approx. 47° (Horizontal Angle of View: Approx. 38°)/Built-In Eye Sensor
Viewfinder OVF v.s Capturing Area
LCD Monitor 3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor
Touch Screen Shooting Mode AF, Focus Area, OFF Double Tap ON/OFF Setting, Touch Function ON/OFF Setting, EVF Touch Screen Area Setting
Touch Screen Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD Monitor 2.09 inch, Aspect Ratio 4:3, Approx. 320x219-dot, Monochrome LCD Monitor
File format (Movie) MOV (Apple ProRes 422 HQ/Apple ProRes 422/Apple ProRes 422 LT/MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling) MP4 AVC/H.264, AAC
Movie Compression All Intra/Long-GOP
File Size / Frame Rate / Recording Time 5.4K(17:9) (5440x2868)/5.8K(2.35:1) (5824x2476) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps/4.8K(3:2) (4776x3184)/4.6K(1.38:1) (4664x3380)/8K(17:9)(8192x4320) /8K(2.76:1)(8192x2968) 24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps/4.8K(16:9) (4776x2688)/8K(16:9)(7680x4320) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps/DCI4K/17.9 (4096x2160)/4K/16.9 (3840x2160) 59.94p/50p/29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps/Full HD(17:9)(2048×1080)/Full HD(16:9)(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p, 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps/Full HD High speed rec. (17:9)(2048x1080)/(16:9)(1920x1080) 120p/100p,720Mbps (recording),/360Mbps (recording),200Mbps (recording)*Selectable mode will be changed depending on the "Image Format" setting.*For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.*For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.*For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.*Selectable bitrate will be changed depends on the setting.Apple ProRes codec can be only recorded to CFexpress Type B cardBitrate for Apple ProRes codec is not selectable.*Recording time can become short depending on the temperature and/or shooting conditions
Film Simulation Mode 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg, Nostalgic Neg, ETERNA/Cinema, ETERNA BLEACH, BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Clarity setting ±5 steps
Monochromatic Color Yes
Grain Effect Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic Range Setting AUTO, 100%, 200%, 400% ISO restriction:DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more
Dynamic Range Setting (Movie) 100% / 200% / 400% ISO restriction:DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more
Pixel Shift Multi Shot YES
Wireless Transmitter Standard IEEE802.11a/b/g/n/ac (standard wireless protocol)
Wireless Transmitter Encryption WPA/WPA2 mixed mode, WPA3
Wireless Transmitter Access Mode Infrastructure
Bluetooth® Standard Bluetooth Ver. 4.2 (Bluetooth low energy)
Bluetooth® Operating frequency 2402〜2480MHz
Terminal - Digital Interface USB Type-C (USB3.2 Gen2x1)
Terminal - HDMI Output HDMI connector (Type A)
Terminal - Others ø3.5mm, stereo mini connector (Microphone and Remote Release) ø3.5mm, stereo mini connector (Headphone) LAN Terminal 1000BASE-T、100BASE-TX、10BASE-T Hot shoe Synchronized terninal
Power Supply NP-W235 Li-ion battery (included)
Battery Life for Still Images Normal Mode: Approx. 540 frames When GF63mmF2.8 R WR is set Auto power save ON
Actual Battery Life for Movie Capture [8K] Approx. 60min. (29.97p) [4K] Approx. 60min. (59.94p) [Full HD] Approx. 80min. (59.94) Face detection is set to OFF Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Continuance Battery Life for Movie Capture [8K] Approx. 80min.(29.97p) [4K] Approx. 90min. (59.94) [Full HD] Approx. 80min. (59.94p) Face detection is set to OFF Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Operating Temperature -10℃~+40℃
Operating Humidity 10% - 80% (no condensation)
Camera Item Includes Interchangeable electronic viewfinder EVF-GFX3, Li-ion battery NP-W235, AC power adapter, AC-5VJ Plug adapter, USB cable, Shoulder strap, Body cap, Hot shoe cover, Vertical battery grip, connector cover, Memory card slot cover, Sync terminal cover, Cooling fan connector cover, Cable protector
Weather Resistant No
Image Processing Engine X-Processor 5
What's included
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