GFX100 Body

GFX100 Body




GFX100 Body

SKU: 0-74101-20097-3

UPC: 600020930



GFX100 Body

UPC: 0-74101-20097-3

SKU: 600020930


  • 102MP imaging sensor and X Processor 4 processing engine combination
  • Up to five-stops of five-axis image stabilization
  • Phase detection autofocus pixels with approximately 100% coverage
  • Record up to10-bit color depth, uncompressed in F-Log or RAW through the HDMI port
  • Use up to 18 different film simulations
  • Tethered support for CaptureOne




GFX100 combines decades of experience, knowledge, and research into a mirrorless large format camera that redefines the boundaries and limitations of how photographers and filmmakers creatively express themselves. By raising the bar in large format auto-focus performance, being one of the first large format systems to have in-body stabilization, and providing filmmakers with a way to push the limits of wide format 4K/30p motion capture, GFX100 is not only reshaping how images are being made, but it is also redefining large format for the worlds next generation of image makers.

  • The FUJIFILM GFX100 pairs a newly-developed back-illuminated 102MP imaging sensor with our blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing color fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the color filter array. This reduces noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO 100. Sharpness is also enhanced, while moire and false colors are near eliminated through the omission of an optical low-pass filter.
  • High-Resolution Image Sensors require a particularly high level of stability to ensure image clarity and sharpness. Small vibrations can often cause interruptions during the capture process and may even lead to soft and out of focus images despite the use of a tripod. GFX100 addresses these critical issues by providing filmmakers and photographers with built-in 5-axis image stabilization. A dedicated dual processor works together with gyroscopic accelerometers to achieve sensor stability with speed and precision to provide up to five-stops of image stabilization, even if the camera is fitted with a non-optically stabilized FUJINON lens. Precise large format capture is now feasible in low-light conditions or when shooting handheld.
  • Compared to traditional large format digital systems, GFX100 raises the bar in auto-focus performance by utilizing AF phase detection pixels across most of the sensor to help photographers obtain focus wherever they choose to position their subjects in the frame. At approximately 100% coverage, increased auto-focus performance with speed and accuracy is now a complete reality for photographers needing optimum performance in subject tracking, face/ eye detection and low-contrast environments.
  • While digital cinema has pushed into the world of larger format (35mm x 24mm), limited options still exist for creatives interested in big sensors. With a sensor size of 43.9mm x 32.9mm, GFX100 offers filmmakers a viable alternative in achieving their creative visions. The new sensor and processor combination support 4K video recording at 30p/10bit with a uniquely cinematic, large format look for cinematographers who want exceptional control over depth of field and film-like tonality. With the ability to apply Fujifilms highly respected Film Simulations, record in F-Log Rec 2020, and capture 10-bit, 4:2:2 uncompressed footage through the HDMI port, GFX100 should certainly be coming soon to a screen near you.
  • FUJIFILMs legacy in color science has helped create one of the most widely-acclaimed digital color processing engines in the world. Benefiting from 85 years of research and development in color imaging, the GFX100 utilizes this same venerated color processing engine found in other X Series and GFX digital cameras. Offering 16 Film Simulation modes gives photographers and filmmakers a way to match their artistic intent much like they do when choosing purpose-specific photographic emulsions. This not only builds upon Fujifilms heritage and color science know-how, but also exposes a new generation to the aesthetic benefits of Fujifilms contributions to the photographic arts.
  • Tethered capture is a necessity for many professional large format camera users and the GFX100 works with Capture One software to help photographers create, manage, and maintain a streamlined workflow from capture through to delivery. With Capture One, raw Fujifilm images can be processed quickly with the option to apply Fujifilm's unique Film Simulations during file conversion for even greater artistic possibilities.

Number of Effective Pixels
102 million pixels

Image Sensor
43.8mmx32.9mm Bayer array with primary color filter

Sensor Cleaning System
Ultra Sonic Vibration

Storage Media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-512GB) UHS-I / UHS-II / Video Speed Class V90*
*Please see the Fujifilm website ( to check memory card compatibility.

File format (Still)
JPEG: Exif Ver.2.32, RAW: 14bit/ 16bit RAW RAF original format, RAW+JPEG, TIFF: 8bit/ 16bit RGB (In-camera RAW Conversion Only)

Number of Recorded Pixels
L: [4:3] 11648x8736 [3:2] 11648x7768 [16:9] 11648x6552 [1:1] 8736x8736 [65:24] 11648x4304 [5:4] 10928x8736 [7:6] 10192x8736
M: [4:3] 8256x6192 [3:2] 8256x5504 [16:9] 8256x4640 [1:1] 6192x6192 [65:24] 8256x3048 [5:4] 7744x6192 [7:6] 7232x6192
S: [4:3] 4000x3000 [3:2] 4000x2664 [16:9] 4000x2248 [1:1] 2992x2992 [65:24] 4000x1480 [5:4] 3744x3000 [7:6] 3504x3000

Lens Mount

Sensitivity Standard Output
STILL: AUTO1/ AUTO2/ AUTO3 (up to ISO12800)/ ISO100~12800 (1/ 3 step)
MOVIE: AUTO/ ISO200~12800

Sensitivity Extended Output
STILL: ISO50/ 25600/ 51200/ 102400

Exposure Control
TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted

Exposure Mode
P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)

Exposure Compensation
STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)

Image Stabilizer Mechanism
Image sensor shift mechanism with 5-axis compensation

Image Stabilizer Compensation Effect
Up to 5.5 stops (based on CIPA standard). Pitch/yaw shake only.

Shutter Type
Focal Plane Shutter

Shutter Speed Mechanical Shutter
P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min

Shutter Speed Electronic Shutter
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min

Shutter Speed Electronic Front curtain Shutter
P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min

Shutter Speed Mechanical + Electronic Shutter
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min

Shutter Speed E-Front + Mechanical Shutter
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min

Shutter Speed E-Front + Mechanical + Electronic Shutter
P mode: 4sec to 1/16000 A mode: 30sec to 1/16000 S/M mode: 60min to 1/16000 Bulb mode: up to 60min
*Electronic front curtain shutter works until 1/1250, Mechanical shutter works until 1/4000
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting Flash can not be used
*When using the electronic front curtain shutter, the continuous shooting supports CL only

Shutter Speed Movie
DCI4K/4k: 1/4000 to 1/24 FHD: 1/4000 to 1/24

Synchronized Shutter Speed for Flash
1/125 or slower

Continuous Shooting
CH Approx. 5.0fps (JPEG: 41 Frames, Compressed RAW: 15 Frames*, Lossless compressed RAW: 14 Frames, Uncompressed RAW: 13 Frames)
CL Approx. 2.0fps (JPEG: Endless, Compressed RAW: 41 Frames*, Lossless compressed RAW: 20 Frames, Uncompressed RAW: 15 Frames)

*When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps.
*Electronic Front Curtain Shutter support CL only.
*Recordable frame depends on recording media.
*Speed of continuous shooting depends on shooting environment and shooting frames.

AE Bracketing
AE Bracketing (Frames: -2, -3, +3, +2, 9, 7, 5, 3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV5/3EV2EV7/3EV8/3EV3EV)
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO Sensitivity Bracketing (1/3EV, 2/3EV, 1EV)
White Balance Bracketing (1, 2, 3)
Focus Bracketing (AUTO, MANUAL)

Focus Mode
Single AF/ Continuous AF/ MF

Focus Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

Focus Low-light Performance
Contrast: -2.5EV with GF80mmF1.7 attached Phase Detection: -5.5EV with GF80mmF1.7 attached

AF Frame Selection
Single point AF: EVF/ LCD: 139/ 2517 (Changeable size of AF frame)
Zone AF: 33/ 55/ 77 from 117 areas on 139 grid
Wide/Tracking AF: (up to 18 area) * AF-S: Wide/ AF-C: Tracking

White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Dayight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater

10sec. / 2sec.

Interval Timer Shooting
Yes (Setting: Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)

Flash Sync Mode
1st Curtain/ 2nd Curtain/ AUTO FP (HSS)

Flash Mode

Hot Shoe
Yes (Dedicated TTL Flash compatible)

Viewfinder EVF
0.5 inch Approx. 5.76 million dots OLED Color Viewfinder
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4 - +2m-1
Magnification: 0.86 with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 41 (Horizontal Angle of View: Approx. 33)
Built-In Eye Sensor

LCD Monitor
3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage)

Touch Screen Shooting Mode
Touch AF, Focus Area, OFF
Double Tap ON/OFF Setting, Touch Function ON/OFF Setting

Touch Screen Playback Mode
Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)

Sub LCD Monitor
1.80 inch, Aspect Ratio 4:3, 303230-dot Monochrome LCD Monitor

Rear Sub Monitor
2.05 inch, Aspect Ratio 4:1, 25664-dot Monochrome OLED Monitor

File format (Movie)
MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling)

Movie Compression
All Intra/Long-GOP
* All Intra can be used with following settings.
DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
Full HD(20481080)/Full HD(19201080) 59.94p/50p/29.97p/25p/24p/23.98p200Mbps

File Size / Frame Rate / Recording Time
DCI 4K (40962160) 29.97p/ 25p/ 24p/ 23.98p 400Mbps/ 200Mbps/ 100Mbps up to Approx. 60min.
4K (38402160) 29.97p/ 25p/ 24p/ 23.98p 400Mbps/ 200Mbps/ 100Mbps up to Approx. 60min.
Full HD (20481080) 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps up to Approx. 80min.
Full HD (19201080) 29.97p/ 25p/ 24p/ 23.98p 200Mbps/ 100Mbps/ 50Mbps up to Approx. 80min.

* For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
* For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
* Recording movies in 400Mbps can be done with DCI 4K/ 4K 29.97p/ 25p/ 24p/ 23.98p.

Film Simulation Mode
18 modes (PROVIA/ Standard, Velvia/ Vivid, ASTIA/ Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg*3, ETERNA/ CINEMA, ETERNA BLEACH BYPASS*3, Black&White, Black&White+Ye Filter,
Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter)

B & W ADJ. (Warm/Cool)
-9 - +9 *When ACROS or Black&White is selected.

Grain Effect

Color Chrome Effect

Color chrome Blue

Smooth Skin Effect

Dynamic Range Setting
AUTO, 100%, 200%, 400%

Wireless Transmitter Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)

Wireless Transmitter Encryption
WEP/ WPA/ WPA2 mixed mode

Wireless Transmitter Access Mode

Terminal - Digital Interface
USB Type-C (USB3.2 Gen1x1)

Terminal - HDMI Output
HDMI Micro connector (Type D)

Terminal - Others
3.5mm, stereo mini connector (Microphone)
3.5mm, stereo mini connector (Headphone)
2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only
Hot shoe
Synchronized terninal

Power Supply
NP-T125 (x2) Li-ion battery (included)

Battery Life for Still Images
Approx. 800 frames When GF63mmF2.8 R WR is set. (2 batterys installed, Auto power save ON)

Actual Battery Life for Movie Capture
[4K] Approx. 100min. [Full HD] Approx. 150min. *Face detection is set to OFF

Continuance Battery Life for Movie Capture
[4K] Approx. 170min. [Full HD] Approx. 240min. *Face detection is set to OFF

USB Power Supply
Support USB PD(Power Delivery) power source to supply or rapidly recharge battery (USB PD Rev2.0 ver1.3)

Approximate External Camera Dimensions
Including EVF
156.2mm (W) x 163.6mm (H) x 102.9mm (D)
6.15in. (W) x 6.44in. (H) x 4.05in. (D)
Minimum Depth : 48.9mm / 1.93in

E x cluding EVF
156.2mm (W) x 144.0mm (H) x 75.1mm (D)
6.15in. (W) x 5.67in. (H) x 2.96in. (D)
Minimum Depth : 48.9mm / 1.93in

Camera Width (mm)

Camera Height (mm)

Camera Depth (mm)

Camera Minimum Depth (mm)

Camera Width (in)

Camera Height (in)

Camera Depth (in)

Camera Minimum Depth (in)

Camera Body Weight
Approx. 1,400g / 49.4oz. (including EVF, battery x2 and memory card)
Approx. 1,320g / 46.6oz. (including battery x2 and memory card)
Approx. 1,155g / 40.7oz. (excluding accessories, battery and memory card)

Operating Temperature
-10C-40C/ 14F-104F

Operating Humidity
10% - 80% (no condensation)

Start Up Period
Approx. 0.4sec. *Fujifilm Research

What's Included

Li-ion battery NP-T125 (x2)
Battery charger BC-T125
Plug adapter
Interchangeable electronic viewfinder EVF-GFX2
Body cap
Metal strap clips (x2)
Clip attaching tool
Protective covers (x2)
Shoulder strap
Cable protector
Hot shoe cover (Body/EVF)
Connector cover (EVF)
Sync terminal cover
Owner's manual

Product Resources


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